By Rodrigo Bascunan, Christian Pearce

A docu-style research of our fascination with the gun, from the point of view of the hip-hop generation.

The 2003 taking pictures loss of life of Toronto community-centre employee Kempton Howard placed the highlight on hip hop’s fixation with weapons. Media and police quickly blamed rap tune and its stories of gang existence on bullet-ridden US streets for the emerging use of firearms in Canadian crime. have been those songs crafty bills of a negative fact, or a self-fulfilling prophecy?

Rodrigo Bascunan and Christian Pearce have interviewed a few of the significant avid gamers within the hip-hop global. As publishers of an award-winning journal of city tradition, they’d watched rap tune turn into a scapegoat for society’s a lot older and generally unfold fascination with weapons. What follows is their overseas experience to deconstruct sleek gun tradition in all its manifestations. Bascunan and Pearce hunt down hip-hop artists, unlawful gun runners, firearms aficionados and brands, museum curators, lecturers, politicians, video-game creators, activists, sufferers of gun violence and the friends and family left behind.

Somewhere among Fast nutrients Nation, No Logo and a Michael Moore documentary, that includes sly sidebar fabric and unique art, Enter the Babylon System is an element outrageous journalistic pursuit and half passionate cri de coeur for sanity within the face of a society’s obsession.

From the Hardcover edition.

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Extra resources for Enter the Babylon System: Unpacking Gun Culture from Samuel Colt to 50 Cent

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This movement fell short, when the IOC announced its faith in Berlin for hosting the Games. However, it had succeeded in exercising pressure on the IOC, and thus the President, Count-Baillet Latour, demanded guarantees from the Nazis that they would abide by the Olympic rules and would reassure the IOC that there would be no discrimination against athletes on the grounds of race or religion (Guttmann 1992; Toohey and Veal 2000). There were debates in the USA about the possibility of a boycott. George Messersmith, USA Secretary of State, arguing against US involvement in Berlin Olympics, declared (November 1935), To the party and the youth of Germany, the holding of the Olympic Games in Berlin in 1936 has become the symbol of the conquest of the world by National Socialist doctrine.

It was not until 1889 that Coubertin decided to try to revive the Games, and thus he devoted the next five years to the preparation of the International Congress of Sportsmen in 1894 (Hill 1992). A number of scholars (Hoberman 1986; Kidd 1996; MacAloon 1996a) argue that Coubertin’s revival of the Olympic Games aimed at revitalising French society and reducing the imperialist rivalries of the European powers and the growing likelihood of war, with the possibility of further French defeat. To a certain extent, Coubertin changed the focus of his interests over the years.

In theory, sport offered a sphere of cultural liberation for women who had been oppressed by the restrictive Victorian dress code and ‘body culture’ (Roche 2000). Nonetheless, the IOC, in contrast to the idealistic claims of their Olympic values, was profoundly sexist, formally banning women from participation in the Olympics in 1912 (Hargreaves 1994). Women’s response to this exclusionary attitude was similar to that of working class and socialist organisations discussed earlier, namely they formed their own international association.

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