By Puneet Bansal

(Size: 22.5x14.5cms.), Contents, 1 advent, 2 parts of style and clothing, three unique Impulses in type and clothing, four type layout and Product improvement, five girl to female, 6 type Entrepreneurship, 7 style images, eight undies to swimming gear, nine utilizing fragrance and strategies of makeup, 10 style advertising, eleven model and its Formation, Index. vi+272 12 months. of Pub.2008 challenging certain English

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In doing so, they found that there were individual variations in decorative 40 Elements of Fashion and Apparel Designing behaviour as well as changes in decorative techniques over time. In short, there were changing fashions in the details of the headdresses and make-up. At anyone time, not only did dancers compete with other dancers, groups of dancers competed with other groups. Thus, although the Hagen dancers drew from established materials, stylistic patterns and decorative ornaments, each dancer (and group of dancers) developed unique variations and statements in the detail of their make-up and headdress.

This reaction both acknowledges the individual stylishness of the dancer by using the western term for a modish man, while insisting on classifying his decorative behaviour as tradition that Exotic Impulses in Fashion and Apparel 41 should not be sullied by signs of western' civilisation'. In other words, some western observers have insisted on establishing different codes and meaning systems to account for what are really fashions and decorative systems in non-western cultures. This becomes clear in Marilyn Strathern's comparison between western use of cosmetics and Hagen decoration.

But specific inquiries about the meaning of pieces of decoration were consistently met with the phrase 'it is just decoration'. We had to revise our approach and work from the context back to the items to see if clues would emerge, and in doing so we repeated many of our specific questions whenever they appeared relevant or useful in any way. Instead of trying to pin down the meanings of the decorations, Marilyn Strathern and Andrew Strathern treated the decorations as a system of dress and as a set of body techniques.

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