By YAGYA SHARMA

Kalidas owes his reputation to his Sanksrit play Abhijnana-Shakuntala (Shakuntala recognized via the Token Ring), the lengthy epic poem Kumara-Sambhava (Birth of Kumara) and the lyric poem Meghaduta (Cloud Messenger). Kalidasa, who lived it slow in the course of the 4th and early fifth centuries A.D., has left no account of his existence. in accordance with well known legend, he owed his ingenuity as a lot to Goddess Kali’s advantages as to his personal abilities.

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NOSOOY COULD Ct::1f(tPLETE THE AFTER SEVERAL , PAY~ - .. s~ING FROM ANOTHERauT HO ONE. EH SUCH A THING-. ) RIGHT HERE. AT THIS VERY MOMENT I BEHOLD THE LOTUS EVES IN YOUR LOTUS FACE. I HAVE 'IOU, HAVE! WHERE? PERFECT! PL"RS,. WRITE IT DOWN! THE KING WilL SURELY GIVE AN AWARD FOR TH IS THE NEXT MOIt1ENT SHE STA88EO kAlIOASA. VERSE. WH"f SHOULD I LET . KAlIPASA HAVE THE MONEYf I COULD USOE. LF SOME. ORNAMENTS. AH •. • VA5ANTi! 'fOUR CUR&E . HAS COME TRUE ... .. THE PANCEte. UT THE &T'fLE SEEM5 FAMILIAR .

AH •. • VA5ANTi! 'fOUR CUR&E . HAS COME TRUE ... .. THE PANCEte. UT THE &T'fLE SEEM5 FAMILIAR . IT 15 RATHER LIKE KAlIDA5A'5 WORK. PID YOU REAll'f WRITE THO::;E LINES? '(OU ARE L'1'IHG. TELL ME THE TRUTH, OR I WILL' HAVE; yOU THROWH INTO A DUNGEOH! I KUMIIRIIOIIS/i WENT lIT ONCE TO THE r-------,----- ~CERS H~OU~SE~'__ IIRIYfNG EO ~OR. OPING BOOY . .. OH, GOD! lSA 1 FOR lliE SAKE OF PET7Y ~AIN, TNt& WOMAN HA& KILLED A GREAT MAN! , . . HE WAS 50 OVERCGM1c BY 6RIEF, THAT HE TOO JUMPEO INTO THE FUNE/e"IL PYRE ANf) Wfl5 CON5Uh'EL'1 IN THE BLAZE .

NOSOOY COULD Ct::1f(tPLETE THE AFTER SEVERAL , PAY~ - .. s~ING FROM ANOTHERauT HO ONE. EH SUCH A THING-. ) RIGHT HERE. AT THIS VERY MOMENT I BEHOLD THE LOTUS EVES IN YOUR LOTUS FACE. I HAVE 'IOU, HAVE! WHERE? PERFECT! PL"RS,. WRITE IT DOWN! THE KING WilL SURELY GIVE AN AWARD FOR TH IS THE NEXT MOIt1ENT SHE STA88EO kAlIOASA. VERSE. WH"f SHOULD I LET . KAlIPASA HAVE THE MONEYf I COULD USOE. LF SOME. ORNAMENTS. AH •. • VA5ANTi! 'fOUR CUR&E . HAS COME TRUE ... .. THE PANCEte. UT THE &T'fLE SEEM5 FAMILIAR .

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